Subtitle fileEnglishSRT

Doctor Who - S05E01 - The Tomb of the Cybermen, Episode One.Production Notes.eng.srt

Related title

The Tomb of the Cybermen: Episode 1

1967Tv EpisodeS5 E1

The Doctor, Jamie and Victoria arrive on Telos, where an archaeological group are exploring the Tomb of the Cybermen. But are the Cybermen as dormant as they believe?

8.2 (1,000)IMDb tt0562967

Related title

The Tomb of the Cybermen: Episode 1

1967Tv EpisodeS5 E1

The Doctor, Jamie and Victoria arrive on Telos, where an archaeological group are exploring the Tomb of the Cybermen. But are the Cybermen as dormant as they believe?

8.2 (1,000)IMDb tt0562967

English•SRT•23.3 KB•Aug 15, 2021•IMDb tt0562967

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Subtitle preview

First 50 subtitle cues from Doctor Who - S05E01 - The Tomb of the Cybermen, Episode One.Production Notes.eng.srt

50 cues

#100:00:04,520 --> 00:00:11,119
"Doctor Who and his companions land on the seemingly deserted Cybermen planet of Telos." (Radio Times)
#200:00:11,280 --> 00:00:18,311
This episode was first shown on 2 September 1967, and was seen by 6 million viewers.
#300:00:25,440 --> 00:00:31,037
We pick up from where 'The Evil of the Daleks' left off, on the planet Skaro.
#400:00:31,200 --> 00:00:37,992
The Daleks have just been finally exterminated after a disastrous experiment with human emotions,
#500:00:38,160 --> 00:00:45,794
and the Doctor now has a 19th—century orphan in his care: Victoria, whose father was recently exterminated.
#600:00:45,960 --> 00:00:51,990
This sequence was shot in advance on film rather than in the videotape studio.
#700:00:52,160 --> 00:00:57,951
Where are they? Stage 2 at Ealing Studios, on 16 June 1967.
#800:00:58,160 --> 00:01:02,995
The word "knobs" was Deborah Watling's unscripted embellishment.
#900:01:03,159 --> 00:01:11,669
The week before, she'd learned that her co—stars were incorrigible connoisseurs of naughty pranks and double entendres,
#1000:01:11,879 --> 00:01:17,476
when, rehearsing a rescue sequence, Frazer Hines had relished Jamie's line to Victoria, "Quick, up your back passage!"
#1100:01:17,679 --> 00:01:25,632
In 'The Evil of the Daleks', Maxtible and Waterfield were Victorian scientists conducting time experiments with static electricity.
#1200:01:25,799 --> 00:01:32,272
The back wall, opposite the Tardis doors, was a photograph projected on an 18' x 12' back projection screen.
#1300:01:32,479 --> 00:01:41,672
The scene, on a 25' x 21' set, was pre—filmed in order to make room for the other large sets in the videotape studio.
#1400:01:41,839 --> 00:01:47,789
"Victoria and Jamie stare embarrassed at the Doctor," says the script.
#1500:01:47,999 --> 00:01:54,552
At this time, it was assumed that the Doctor had rejuvenated himself when he turned into Patrick Troughton,
#1600:01:54,719 --> 00:02:01,397
so he claims to be a markedly younger man than the reputedly 745—year—old William Hartnell version.
#1700:02:01,559 --> 00:02:08,954
At the time of the filming, the actors were also some way through making 'The Evil of the Daleks':
#1800:02:09,118 --> 00:02:17,435
they'd spent the past three days rehearsing Episode 6, and were due to record it the next day, 17 June.
#1900:02:20,038 --> 00:02:26,876
We've now gone back in time four days, to the location shoot on 12 June, the first day of the filming week.
#2000:02:27,078 --> 00:02:33,790
The model spaceship is shot in false perspective: it's a lot closer to the camera than it seems.
#2100:02:33,958 --> 00:02:42,115
The music is 'Universe Sideral', written by the French classical composer Paul Bonneau (1918—95),
#2200:02:42,318 --> 00:02:50,635
followed by a brief musical "sting" written by Trevor Duncan (1924—2005),
#2300:02:50,838 --> 00:02:58,426
who is best known as the composer of A Little Suite (1959), which became the theme music to Doctor Finlay’s Casebook.
#2400:02:58,638 --> 00:03:04,554
All the serial's music was selected from modern stock tracks by director Morris Barry.
#2500:03:04,758 --> 00:03:11,106
The aim was to create individual soundscape "atmospheres" for the various settings, indoor and out.
#2600:03:14,238 --> 00:03:22,509
This is the sand and gravel quarry at Wapsey's Wood, Gerrards Cross, Buckinghamshire, around 20 miles from London.
#2700:03:22,718 --> 00:03:28,111
Morris Barry later used it as another alien planet in 'The Dominators' (1968).
#2800:03:28,318 --> 00:03:35,553
The upcoming explosion ended up being an even bigger bang than planned.
#2900:03:35,757 --> 00:03:42,674
The charges were set in an open crack in the rock, early that morning.
#3000:03:42,837 --> 00:03:51,233
Then there was a delay, so the explosion wasn't filmed straight away as first intended.
#3100:03:51,437 --> 00:03:59,071
As the cast and crew moved around the quarry, dust and debris fell into the crack, packing the explosive tighter.
#3200:03:59,277 --> 00:04:06,308
The result was that the force of the charge was increased when they finally did the shot.
#3300:04:06,517 --> 00:04:12,786
It was the usual practice to film two takes of everything, just to be on the safe side,
#3400:04:12,957 --> 00:04:19,635
but since the explosion obviously couldn't be restaged, it was shot with two cameras.
#3500:04:19,797 --> 00:04:27,715
The closer shot was taken by the "synch" camera, with sound equipment, and the long master shot (with foreground actors) by the silent one.
#3600:04:27,917 --> 00:04:36,188
The doors are another false perspective model, about six feet from the camera (though, obviously, the actors are closer).
#3700:04:40,077 --> 00:04:45,754
The music is another Trevor Duncan track.
#3800:04:45,917 --> 00:04:52,595
The BBC Wardrobe Department often serviced historical drama series as well as contemporary ones,
#3900:04:52,757 --> 00:04:59,230
so it was standard practice for the costume designer to specify on her paperwork the date of the fictional action.
#4000:04:59,397 --> 00:05:04,312
According to this, 'The Tomb of the Cybermen' takes place in either 2020 or 2067 — but those were just nominal dates.
#4100:05:07,037 --> 00:05:14,387
The BBC's promotional document, drawn up by the production office, refers only to a setting in "the distant future".
#4200:05:14,597 --> 00:05:20,229
Translated from 1967 values into modern money, £50 would be worth around £700.
#4300:05:20,437 --> 00:05:26,034
(That tells us nothing about the fictional value of Kaftan's offer in "the distant future",
#4400:05:26,237 --> 00:05:32,710
but it does indicate how temptingly generous it would have sounded to 1967 ears.)
#4500:05:32,917 --> 00:05:39,516
This sequence was filmed on Stage 2 at Ealing on 13 June (while the regulars were away rehearsing with the Daleks),
#4600:05:39,717 --> 00:05:46,316
and this, more than five minutes in, is the episode's first sequence made on videotape.
#4700:05:51,797 --> 00:05:58,953
At this time, it was assumed that the Tardis flew in through the air rather than fading into existence.
#4800:06:01,597 --> 00:06:06,432
Back to Buckinghamshire now,
#4900:06:06,596 --> 00:06:13,274
and the long shadows reveal that this scene was shot towards the end of the summer afternoon.
#5000:06:13,436 --> 00:06:21,116
The regulars' few location scenes were scheduled for late in the day, whereas everyone else had an eight—o'—clock start.