Subtitle filePortuguese (Portugal)SRT

Farocki - Prison Images-PT.BR.srt

Related title

Dying to Have Known

2006Movie

A documentary filmmaker goes on a 52-day journey to find evidence supporting the effectiveness of the Gerson Therapy -- a long-suppressed natural cancer cure. His travels take him from Alaska to Mexico with stops in San Diego, New York, Japan, Holland and Spain. In the end, he presents the testimonies of patients, scientists, surgeons and nutritionists who testify to the therapy s efficacy in curing cancer and other degenerative diseases, and presents the hard scientific proof to back up their claims. Testimonies include: a Japanese medical school professor who cured himself of liver cancer over 15 years ago, a lymphoma patient who was diagnosed as terminal over 50 years ago as well as from noted critics of this world-renowned healing method who dismiss it out of hand as pure quackery. So the question that remains is, Why is this powerful curative therapy still suppressed, more than 75 years after it was clearly proven to cure degenerative diseases?

7.0 (232)IMDb tt1782426

Related title

Dying to Have Known

2006Movie

7.0 (232)IMDb tt1782426

Portuguese (Portugal)•SRT•35.2 KB•May 5, 2011•IMDb tt1782426

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Subtitle preview

First 50 subtitle cues from Farocki - Prison Images-PT.BR.srt

50 cues

#100:00:09,080 --> 00:00:12,117
Passam pelos guardas em fila dupla.
#200:00:12,480 --> 00:00:16,553
Logo a seguir se percebe se obedecem ou se resistem.
#300:00:18,000 --> 00:00:24,074
Ajude-nos e torne-se membro VIP para remover todos os anúncios do % url%
#400:00:27,000 --> 00:00:30,595
Estas imagens são de um filme, ou série de imagens,
#500:00:31,160 --> 00:00:33,276
dos anos 20 na Alemanha.
#600:00:34,280 --> 00:00:35,952
Arquivada com o título
#700:00:36,280 --> 00:00:38,953
"À margem do caminho".
#800:01:00,840 --> 00:01:02,671
Imagens de um asilo
#900:01:03,520 --> 00:01:06,034
com deficientes de todas idades.
#1000:01:07,400 --> 00:01:11,234
Na sequência,colocam-se pessoas em frente da câmara,
#1100:01:11,760 --> 00:01:13,512
como objectos.
#1200:01:16,760 --> 00:01:21,515
Também há uma obsessão de as pôr em movimento.
#1300:01:44,680 --> 00:01:46,557
Estas crianças não são capazes
#1400:01:46,880 --> 00:01:50,111
de respeitar a ordem que lhes é imposta.
#1500:02:04,440 --> 00:02:06,510
Ao asilo segue-se a prisão.
#1600:02:10,360 --> 00:02:12,351
Desfile dos prisioneiros:.
#1700:02:13,160 --> 00:02:15,037
fazendo pensar numa procissão,
#1800:02:15,360 --> 00:02:17,999
num desfile militar, numa marcha de triunfo.
#1900:02:21,320 --> 00:02:23,709
A câmara por onde passam os reclusos
#2000:02:24,240 --> 00:02:28,597
assumiu o lugar de Deus, do rei e do chefe do exército.
#2100:03:02,120 --> 00:03:04,588
Exercícios para toxicómanos
#2200:03:08,600 --> 00:03:10,511
Imagens do Egipto,
#2300:03:10,840 --> 00:03:14,515
reunidas nos E. U.A. em 1 931.
#2400:03:16,000 --> 00:03:18,195
Produzidas pelo ministério de justiça
#2500:03:20,200 --> 00:03:22,430
para prevenir das drogas.
#2600:03:23,560 --> 00:03:26,597
Os reclusos exercitando,
#2700:03:26,920 --> 00:03:29,912
estão tão pouco treinados como a câmara.
#2800:03:55,480 --> 00:03:57,948
Será que irão servir para um exército,
#2900:03:58,800 --> 00:04:01,075
contra que inimigo irão lutar?.
#3000:04:13,600 --> 00:04:16,239
Dois tipos de enquadramentos. Por um lado -
#3100:04:16,600 --> 00:04:19,717
aqui, uma tentativa - a fila ordenada,
#3200:04:20,760 --> 00:04:23,035
expressão da ordem da prisão.
#3300:04:25,600 --> 00:04:27,397
E depois o retrato.
#3400:04:27,960 --> 00:04:30,872
A imagem do indivíduo ou do grupo.
#3500:04:47,200 --> 00:04:49,555
No movimento se busca a aparência,
#3600:04:50,160 --> 00:04:52,310
na imobilidade, o ser.
#3700:05:03,760 --> 00:05:08,276
Nos rostos se busca algo para o qual não há uma definição,
#3800:05:08,960 --> 00:05:11,838
isto é o que a câmara atrai.
#3900:05:12,440 --> 00:05:15,273
A droga ou a loucura.
#4000:06:21,480 --> 00:06:23,710
Observar o recluso.
#4100:06:30,200 --> 00:06:32,430
O olhar da cela faz surgir a pergunta:
#4200:06:32,760 --> 00:06:34,557
Quem é o homem?.
#4300:06:42,160 --> 00:06:44,230
Senti que me estavam observando
#4400:06:44,480 --> 00:06:46,357
e não me atrevia a mexer.
#4500:07:19,120 --> 00:07:22,396
Também neste filme de Jean Genet
#4600:07:22,720 --> 00:07:24,631
o guarda espreita para as celas
#4700:07:24,960 --> 00:07:28,555
e observa a vida sexual dos prisioneiros.
#4800:07:44,760 --> 00:07:47,274
Ainda que se comportem como se estivessem sozinhos,
#4900:07:47,960 --> 00:07:51,157
os prisioneiros estão conscientes de que ele os observa.
#5000:07:51,760 --> 00:07:54,035
Como mulheres nos Peep-ShoWs.