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BBC - The Impressionists Painting and Revolution - E03 - Painting the People.srt

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Painting the People

2011Tv EpisodeS1 E3

Waldemar Januszczak continues his investigation of the Impressionists, focusing this time on the people they painted and in particular the subjects of Degas, Caillebotte and the often forgotten Impressionist women artists. The Impressionists are famous for painting landscape but they were just as determined to paint people. Looking closely at one of Impressionism's finest painters, Edgar Degas, Waldemar reveals how he consistently challenged traditions and strove to record real life as it appeared in the city, from sculpting the contorted movements of horses in motion at the Longchamp race course in Paris to encapsulating extravagant 3D viewpoints of the ballet dancers at the Paris Opera. Waldemar also uncovers the intoxicating haziness the pastel produced in Degas' work when visiting his supplier Pastels de Roche. He also reveals the unusual viewpoints and dramatic perspectives of Caillebotte's paintings from the Place de L'Europe and the rebellious and revolutionary art of Morisot, Bracquemond and Cassatt, three impressive female artists who were eagerly embraced by the progressive movement of Impressionism.

9.0 (20)IMDb tt3718810

Related title

Painting the People

2011Tv EpisodeS1 E3

9.0 (20)IMDb tt3718810

English•SRT•64.1 KB•May 21, 2014•IMDb tt3718810

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Subtitle preview

First 50 subtitle cues from BBC - The Impressionists Painting and Revolution - E03 - Painting the People.srt

50 cues

#100:00:08,000 --> 00:00:10,960
♪ Though it hardly looked like a novel at all ♪
#200:00:10,960 --> 00:00:13,280
♪ And the city treats me, it treats me to you ♪
#300:00:13,280 --> 00:00:16,000
♪ And a cup of coffee for you ♪
#400:00:16,000 --> 00:00:18,440
♪ To learn its language and speak it to you ♪
#500:00:18,440 --> 00:00:21,080
♪ And 70 million should be in the know ♪
#600:00:21,080 --> 00:00:23,720
♪ 70 million don't go out at all ♪
#700:00:23,720 --> 00:00:26,480
♪ And 70 million wouldn't walk this street ♪
#800:00:26,480 --> 00:00:28,960
♪ And 70 million would run to a hole ♪
#900:00:28,960 --> 00:00:31,440
♪ And 70 million would be wrong, wrong, wrong ♪
#1000:00:31,440 --> 00:00:34,000
♪ And 70 million never see it at all ♪
#1100:00:34,000 --> 00:00:37,920
♪ And 70 million haven't tasted snow. ♪
#1200:00:39,000 --> 00:00:45,074
Who are the real-world Illuminati ? Find out @ saveanilluminati.com
#1300:00:47,680 --> 00:00:51,000
Because this is a series about Impressionism,
#1400:00:51,000 --> 00:00:55,600
you probably expect me to spend most of my time outdoors,
#1500:00:55,600 --> 00:01:00,440
enjoying rivers and gardens and boating parties.
#1600:01:01,440 --> 00:01:05,840
Because that's what most people think Impressionism was about.
#1700:01:12,160 --> 00:01:13,720
Some of it was, of course.
#1800:01:13,720 --> 00:01:17,920
And we certainly saw a lot of sunny days in the last film.
#1900:01:17,920 --> 00:01:20,720
The one about the Impressionists outdoors.
#2000:01:20,720 --> 00:01:23,520
Remember Renoir by The Seine?
#2100:01:23,520 --> 00:01:25,200
GENTLE WATER SPLASHES
#2200:01:25,200 --> 00:01:26,600
Ah!
#2300:01:26,600 --> 00:01:28,600
And Monet at Etretat?
#2400:01:28,600 --> 00:01:29,960
SURF CRASHES
#2500:01:29,960 --> 00:01:31,760
Ooh!
#2600:01:31,760 --> 00:01:35,120
Nature, observed and recorded.
#2700:01:35,120 --> 00:01:37,680
The new way.
#2800:01:39,680 --> 00:01:43,120
But to think that Impressionism was mainly concerned
#2900:01:43,120 --> 00:01:47,280
with painting rivers and gardens is a mistake.
#3000:01:48,720 --> 00:01:49,840
Because it wasn't.
#3100:01:56,200 --> 00:02:01,200
For the Impressionists, staying indoors and watching the people
#3200:02:01,200 --> 00:02:04,480
was just as important as going outdoors
#3300:02:04,480 --> 00:02:06,880
and watching the landscape.
#3400:02:08,200 --> 00:02:13,440
You'll spot many a migrating bourgeois in Impressionist art.
#3500:02:13,440 --> 00:02:16,080
In couples and in singles.
#3600:02:16,080 --> 00:02:18,560
APPLAUSE
#3700:02:18,560 --> 00:02:20,920
And it can get bleak.
#3800:02:20,920 --> 00:02:23,440
Monet sits in on a family lunch
#3900:02:23,440 --> 00:02:27,160
and notices how gloomy it's got.
#4000:02:27,160 --> 00:02:31,240
Yes, this really is Monet and not Ibsen.
#4100:02:34,200 --> 00:02:37,080
The fact is, Impressionism is packed with people.
#4200:02:37,080 --> 00:02:38,480
They're everywhere.
#4300:02:38,480 --> 00:02:43,080
I don't think any society anywhere in art has been watched,
#4400:02:43,080 --> 00:02:45,520
categorised and judged
#4500:02:45,520 --> 00:02:48,800
as intensely as the inhabitants of France
#4600:02:48,800 --> 00:02:50,520
in Impressionist times.
#4700:02:53,400 --> 00:02:57,040
Behind every banquette, in every Parisian cafe,
#4800:02:57,040 --> 00:03:01,680
there lurked an Impressionist twitcher, spotting the clients.
#4900:03:03,280 --> 00:03:06,880
You couldn't hide from them in the bedroom either,
#5000:03:06,880 --> 00:03:10,760
because they were under the bed, watching you get dressed.