Subtitle fileEnglishSRT

Lucas Manzano - Don Leandro l'ineffabile (1915).srt

Related title

Don Leandro, el inefable

1915Short

A 1914 short film from Venezuela.

4.0 (15)IMDb tt0194823

Related title

Don Leandro, el inefable

1915Short

A 1914 short film from Venezuela.

4.0 (15)IMDb tt0194823

English•SRT•7.8 KB•Sep 8, 2017•IMDb tt0194823

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Subtitle preview

First 50 subtitle cues from Lucas Manzano - Don Leandro l'ineffabile (1915).srt

50 cues

#100:00:06,000 --> 00:00:12,074
Who are the real-world Illuminati ? Find out @ saveanilluminati.com
#200:00:14,560 --> 00:00:20,640
Treasures of Latin-American cinema.
#300:00:40,640 --> 00:00:45,140
This film was telecined at a speed of 24 frames per second, which accelerates it
#400:00:45,140 --> 00:00:49,640
from its original motion. At that time they filmed with 16-18 frames per second.
#500:00:49,680 --> 00:00:54,180
This film was telecined at a speed of 24 frames per second, which accelerates
#600:00:54,180 --> 00:00:58,680
its original motion. At that time they filmed with a speed of 16-18 frames per second.
#700:00:58,720 --> 00:01:04,320
The title of the film is lost. In 1994 the Bolivar Films company found a copy in their holdings. The shrinking
#800:01:04,320 --> 00:01:09,920
exceeded 2%, making it uncopiable with standard technology. One of the reels was duplicated in a
#900:01:09,960 --> 00:01:16,360
local laboratory, with modest results: mechanical instability, frame problems, excessive wear, etc.
#1000:01:16,360 --> 00:01:22,760
In view of the results the second reel was not copied. In 1997 the National Cinematheque sent that second reel
#1100:01:22,800 --> 00:01:28,840
to a specialised laboratory in Bologna: L'Imagine Ritrovata. There, black and white matrices
#1200:01:28,840 --> 00:01:34,880
were made and copies on colour positive that approach the colourisation seen on the original.
#1300:01:34,920 --> 00:01:40,960
At that moment, the reel duplicated in Venezuela three years earlier had desintegrated completely.
#1400:01:40,960 --> 00:01:46,000
Therefore this film has two very different types of restoration.
#1500:01:46,040 --> 00:01:51,600
The title of the film is lost. In 1994 the Bolivar Films company found a copy in their holdings.
#1600:01:51,600 --> 00:01:57,160
The shrinking exceeded 2%, making it uncopiable with standard technology.
#1700:01:57,200 --> 00:02:03,580
One of the reels was duplicated in a local laboratory, with modest results: mechanical instability,
#1800:02:03,580 --> 00:02:09,960
frame problems, excessive wear, etc.In view of the results the second reel was not copied.
#1900:02:10,000 --> 00:02:16,040
In 1997 the National Cinematheque sent that second reel to a specialised laboratory in Bologna:
#2000:02:16,040 --> 00:02:22,080
L'Imagine Ritrovata. There, black and white matrices were made and copies on colour positive that approach the
#2100:02:22,120 --> 00:02:26,900
colourisation seen on the original. At that moment, the reel duplicated locally three years earlier
#2200:02:26,900 --> 00:02:31,680
had desintegrated completely. Therefore this film has two very different types of restoration.
#2300:02:33,000 --> 00:02:37,280
Don Leandro, the ineffable.
#2400:02:37,320 --> 00:02:39,920
Dawn. Charms of the village.
#2500:02:39,960 --> 00:02:45,480
Lucia, whose beauty has broken the heart of poor Bartolin, starts the daily work of at the Guaracabulla farm...
#2600:03:40,280 --> 00:03:42,360
Domestic flirtation.
#2700:03:48,560 --> 00:03:52,360
Lucia, a vivacious country girl, helps herself in the mirror.
#2800:04:20,120 --> 00:04:24,200
That afternoon Don Leandro's saint day was commemorated.
#2900:04:43,440 --> 00:04:47,360
Bartolin, a mischievous guy, goes to the garden with his girlfriend.
#3000:04:52,080 --> 00:04:55,280
- The few illusions I had, have left With Lucia. - Well, fool, go to the Capital.
#3100:04:58,680 --> 00:05:04,440
But it is not an obstacle for Lucia and his beloved, play the gargoyle in the gardens of San Malandrino.
#3200:05:54,640 --> 00:06:02,040
And attracted by Leandro's prestige, visitors from Caracas arrive at Guaracabulla to enjoy bullfighting.
#3300:06:12,480 --> 00:06:18,000
- Hey you. Is the town far away? - No sir, turn around there, turn again double and the farm is there.
#3400:06:28,360 --> 00:06:30,680
Leandro, the ineffable, occupies the place of honour.
#3500:06:37,360 --> 00:06:40,240
Who are those thirds?
#3600:06:48,840 --> 00:06:52,000
People from Caracas! Well enough! I'll invite them to my house.
#3700:07:00,520 --> 00:07:03,760
In the intimacy of the home, Bisturi tells to Leandro of Caracas' beauties.
#3800:07:10,520 --> 00:07:16,600
- Caracas! Who knew there! - But they say they steal your socks without touching your shoes. - Exaggerations! Exaggerations, General.
#3900:07:19,120 --> 00:07:22,480
Caracas is a nest of Andalusian nightingales.
#4000:07:28,320 --> 00:07:29,760
Where every woman is a rose...
#4100:07:32,920 --> 00:07:34,400
To Caracas! There dwell the pleasures.
#4200:07:38,640 --> 00:07:43,440
And Leandro finally made a decision in a charming way: so flattered he already assumed that he was the owner of the City that Bisturio described.
#4300:07:58,480 --> 00:08:01,880
Just in case I'll take the tree.
#4400:08:09,080 --> 00:08:16,200
And convinced by the naughty people from Caracas Don Leandro says goodbye and heads for the City of Avila.
#4500:08:34,640 --> 00:08:41,760
Already Don Leandro is in Caracas, the pleasure despairs him and it is clear, He goes to a store to change his coat for a jacket.
#4600:08:41,800 --> 00:08:44,680
There, the joker believing Leandro was greedy, he offers him an overcoat that belonged to the tyrant Aguirre.
#4700:08:44,720 --> 00:09:08,360
Good Porbenil buys and sells and the gentlement speaks in French...
#4800:09:08,400 --> 00:09:09,800
...but Don Leandro composes himself as a guide.
#4900:09:25,200 --> 00:09:26,760
No, Don Leandro, I'll pay for this and then we'll talk.
#5000:09:29,920 --> 00:09:33,000
...and on El Paraíso avenue the people of Caracas show their chickens.