Subtitle fileEnglishSRT

bezhin.lug.(1937).eng.srt

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Bezhin lug

1937Short

Bezhin Lug (Bezhin Meadow) was to be a Soviet film about a young farm boy whose father attempts to betray the government for political reasons by sabotaging the year's harvest, and the son's efforts to stop his own father to protect the Soviet state, culminating in the boy's murder and a social uprising. Assigned to Soviet film-maker Sergei Eisenstein, the filming followed the same path as with his previous effort, "Que Viva Mexico", into cost overrun and over-shooting of footage. Furthermore, Eisenstein's usage of forbidden experimental film techniques outraged his government superiors, who ordered the film destroyed before it was even completed. All that survives are the first and last frames of each shot, preserved by Sergei Eisenstein’s wife, Pera Atasheva. The 1967 reconstruction, by Naum Kleiman of the Eisenstein Museum and Sergei Yutkevich of Gosfilmofond, places these frames in order, approximating the original film.

6.6 (723)IMDb tt0028624

Related title

Bezhin lug

1937Short

6.6 (723)IMDb tt0028624

English•SRT•9.5 KB•Feb 6, 2008•IMDb tt0028624

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Subtitle preview

First 50 subtitle cues from bezhin.lug.(1937).eng.srt

50 cues

#100:00:17,643 --> 00:00:21,855
The Russian Film Archives present
#200:00:24,942 --> 00:00:29,363
Bezhin Meadow Sergei Eisenstein
#300:00:32,533 --> 00:00:37,287
History of an unfinished film (1935-1937)
#400:00:38,121 --> 00:00:41,458
Professor Rostislav Yourenev tells the fate ofthis film,
#500:00:41,834 --> 00:00:44,002
You're going to live an unique experience...
#600:00:44,837 --> 00:00:48,215
the resurrection of a lost film
#700:00:48,882 --> 00:00:50,551
that Will be restored
#800:00:50,843 --> 00:00:55,222
from the notes, the old pictures,
#900:00:55,639 --> 00:00:58,392
pieces of film like these ones...
#1000:00:58,642 --> 00:01:01,228
Where there are only 2 or 3 frames of the film :
#1100:01:01,478 --> 00:01:05,315
Bezhin Meadow by Sergei Eisenstein
#1200:01:05,566 --> 00:01:10,153
This restoration is the Work of an old friend of Eisenstein,
#1300:01:10,404 --> 00:01:12,614
director Sergei Youtkevitch
#1400:01:12,865 --> 00:01:16,368
and the young film historian Naoum Kleiman.
#1500:01:17,035 --> 00:01:20,706
The story of Bezhin Meadow is a real tragedy.
#1600:01:21,081 --> 00:01:23,625
During the early thirties,
#1700:01:23,917 --> 00:01:26,253
When Eisenstein came back from America,
#1800:01:26,920 --> 00:01:29,339
Ieaving to the HollyWoodian toilers
#1900:01:29,590 --> 00:01:32,384
the complete footage of Que Viva Mexico,
#2000:01:32,634 --> 00:01:35,137
back home in USSR,
#2100:01:35,387 --> 00:01:38,473
his dream Was to direct
#2200:01:38,724 --> 00:01:42,436
a great and meaningful film.
#2300:01:43,645 --> 00:01:47,149
Finding a script or a story
#2400:01:47,691 --> 00:01:49,651
Was fruitless for a While.
#2500:01:49,902 --> 00:01:52,070
Finally, he's been given
#2600:01:52,321 --> 00:01:54,239
the script from Alexander Rjechevsky
#2700:01:54,489 --> 00:01:57,826
about the murder of pioneer Pavel Marozov
#2800:01:58,410 --> 00:02:02,789
by his oWn father, enemy of collectivism.
#2900:02:03,373 --> 00:02:07,586
Sergei Eisenstein began Working With passion.
#3000:02:08,545 --> 00:02:10,464
This drama Was for him
#3100:02:10,714 --> 00:02:12,966
the expression of a tragic
#3200:02:13,217 --> 00:02:16,762
and fundamental conflict:
#3300:02:17,471 --> 00:02:21,016
the brutal struggle
#3400:02:21,266 --> 00:02:24,394
betWeen the old and reactionary country,
#3500:02:24,895 --> 00:02:26,563
stuck to the past,
#3600:02:27,981 --> 00:02:32,027
and the neW soviet and socialist country.
#3700:02:32,736 --> 00:02:37,491
Through the image of Stepok's father,
#3800:02:38,575 --> 00:02:41,078
tousled and fearsome,
#3900:02:41,370 --> 00:02:45,332
surrounded by old shreWs,
#4000:02:45,916 --> 00:02:48,043
he saW the old Russia,
#4100:02:48,293 --> 00:02:49,711
Whereas the neW Russia
#4200:02:49,962 --> 00:02:54,132
Was embodied in the image of pioneer Stepok,
#4300:02:54,383 --> 00:02:57,302
illuminated by the sun of future,
#4400:02:57,553 --> 00:03:00,764
supported by the communists and the komsomols
#4500:03:01,014 --> 00:03:04,142
of the neW soviet country.
#4600:03:04,810 --> 00:03:08,981
The scene Where the church is converted into a club
#4700:03:09,231 --> 00:03:11,900
should have been the climax.
#4800:03:13,485 --> 00:03:15,612
The religious feeling
#4900:03:16,613 --> 00:03:21,076
embodied in famous compositions
#5000:03:21,493 --> 00:03:25,038
such as the Crucifixion, the Deposition,